KOS NIDO. 
Precision in every detail. Freedom in light.

With the new KOS NIDO, KOMOT demonstrates just how versatile wall lighting can be. The opal glass sphere rests precisely in its porcelain holder – freely rotatable, continuously dimmable, and adjustable in light color. 

A refined piece of engineering that reimagines the interplay of form and function – crafted from porcelain and glass, designed for spaces where design and craftsmanship become one.​


Porcelain as an architectural element


At the core of the development was a clear design idea: The opal glass sphere of the KOS should retain its characteristic expression even when mounted on the wall—reduced, precise, and self-contained.

The porcelain mount plays a deliberately restrained yet essential role: it supports, frames, and protects. It conceals the technical components. It gives the luminaire stability—and at the same time, a place.

Unlike translucent porcelain objects, the focus here is not on light transmission. At the chosen material thickness, the porcelain does not allow light to pass through. Instead, it functions as an architectural body that houses the technology and sets the opal glass sphere free.

The name “NIDO”—Italian for “nest”—describes this principle precisely: The mount forms the protected frame in which the light can unfold.


When light finds its place.

The lighting manufacturer KOMOT and the traditional porcelain manufacturer Reichenbach have combined their capabilities to jointly develop the wall mount for the KOS NIDO—the new wall luminaire expanding the KOS collection. What emerged is more than a component. It is the result of a dialogue on equal terms—between lighting technology and porcelain craftsmanship, between design intent and material expertise.